
Inspired in part by real-world events and ongoing conversations around visa denials affecting Filipino talents, SB19’s latest single also serves as a commentary on access and privilege, on the disparity between global contribution and mobility. By centering these themes with a more defined perspective, SB19 transforms personal and collective frustrations into an anthem of awareness, and, to an extent, resistance.
“We were very affected by visa applications during our tour,” Pablo reveals. “SB19 has been active for seven years, and we hope that songs like these can reach officials and encourage laws that make it easier for athletes, artists, and others working overseas to access visas. This could include creative acts, producing content, or receiving rebates for spending related to the arts. This is not just an attempt to produce music, but to push Filipino culture forward. There is little support from the government, so it is important that our work can make an impact not only personally but also on a national level.”
Josh echoes the familiar frustration, sharing parallels with the struggles of athletes who train and work hard to compete abroad and make Filipinos proud. “I have always had this dream during our tour, as someone who represents the Philippines all over the world. I have also seen the struggles of athletes when they represent the country. They give so much for the Philippines, but it often feels like the country does not give back. There needs to be a change.”
Justin chimes in on the ongoing issue while highlighting the intentional messaging of the track. “We are highly skilled and hardworking, and we’ve significantly contributed to raising the morale of Filipinos abroad, as well as impacting the economy in positive ways. But somehow, it often feels like we are at the end of the line.”
Musically, “VISA” mirrors its thematic tension with bold, unconventional production and brass sounds. Conceived from a melody Pablo imagined in one of their brand campaign shoots, the track fuses satire, personal experience, and commentary with sonic experimentation.
Ken explains, “This song is very unconventional and unorthodox. The instruments are not the usual ones, especially the melody. It is kind of unusual, but in a good way. The melody is impactful, and the instruments we used in the track are well chosen. The percussions, ad-libs, and other elements are perfectly placed, making it a very pleasing experience for the ears.”
Thank you for taking time to read.
📩 𝘋𝘔 𝘧𝘰𝘳 𝘊𝘰𝘭𝘭𝘢𝘣𝘴, 𝘍𝘦𝘢𝘵𝘶𝘳𝘦, 𝘢𝘯𝘥 𝘗𝘳𝘰𝘮𝘰𝘵𝘪𝘰𝘯𝘴 ⬇️⬇️⬇️⬇️⬇️
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